Death On The Nile Review: Kenneth Branagh’s Star-Studded Whodunit Feels More Like A Travelogue Than A Thriller
Plus: Review of the Jennifer Lopez-Owen Wilson rom-com Marry Me.
Death on the Nile (PG13)
Starring Kenneth Branagh, Armie Hammer, Gal Gadot
Directed by Kenneth Branagh
Kenneth Branagh’s second Agatha Christie adaptation as star and director — following 2017’s Murder on the Orient Express — involves two mysteries: one about the origins of Belgian sleuth Hercule Poirot’s (Branagh) radar-deflecting handlebar moustache, the other concerns the murder of an heiress (Gal Gadot) during her honeymoon onboard a steamship sailing down the titular river. It isn’t a good sign when the secondary mystery (the facial fuzz) is more intriguing than the primary one (the pre-meditated homicide). The film, while gorgeously lensed and well-acted, traipses around with the casual pacing of a travelogue – for more than an hour! – before getting straight to the macabre business at hand. Even then, when the great detective calls out the perp(s), the revelation is prosaic and lacks punch. Now, that’s a crime. (2.5/5 stars) out in cinemas
Marry Me (NC16)
Starring Jennifer Lopez, Owen Wilson, John Bradley, Sarah Silverman
Directed by Kat Coiro
Filmed in 2019, before the Covid-19 pandemic, back when Jennifer Lopez and Alex Rodriguez were still at an item, this preposterous Notting Hill-meets-Love is Blind rom-com sees her pop star diva (what a stretch!) who, following a high-profile break-up with her cheating fiancé, enters into an arranged hook-up with Anaconda co-star Owen Wilson’s divorced high school teacher (replete with a precocious daughter and a cute dog). The leads are appealing, the songs are catchy, but everything pales in comparison to the stuff that is happening in JLo's real-life headline-grabbing love life (hello, Ben Affleck!). Let’s face it, nothing can top that. (2.5/5 stars) out in cinemas
Photo: UIP